Dating silverface amp
Its existence in the shadow of its reverb-capable brother is a shame, as it offers some of the finest pure Fender tones you can find in a compact package.
Also, the non-reverb models cost a lot less than the reverb amps.
You may compare these with your own speakers to determine what you have.
Certain words and phrases pique the interest of vintage guitar players and collectors worldwide, like “Burst,” “Blackguard,” “Plexi,” and “Blackface.” Named for their black control panels, Blackface Fender amps are one of the company’s most famous and coveted product series.
Just grab your guitar and this little powerhouse and head out to the gig.
Tech Specs: Once again, Fender issued three distinct variants of the Princeton amp during the Blackface era: the transitional “tuxedo” model, as well as reverb and non-reverb models in the new “Princeton” style.
In a BF Vibrolux Reverbs you could have either Jensen, CTS or Oxford, the BF Super Reverbs had Jensen, CTS, Oxford or sometimes JBL, the BF Pro Reverb had Jensen, Oxford or Utah, .
Fender offered a full range of amps in their Blackface line, ranging from the diminutive Champ to the massive Twin Reverb.Tech Specs: Moving up to one 12” speaker and about 20 watts with up both reverb and non-reverb models, the Deluxe amp is like a Princeton on steroids.With the Deluxe, you get a lot more bass response and plenty more clean headroom.Blackface Fender amps tend to be categorized into two groups by collectors and players: “Pre-CBS” (mid-1963 to mid-1965) models with a “Fender Electric Instrument Company” label and “CBS” (mid-1965 to mid-1968) models with a “Fender Musical Instrument” label.Blackface amps were immediately popular upon release and used on numerous famous recordings.